Table of Metamorphoses in Ovid's Metamorphoses
by Spencer Scorcelletti
Subjectis who changedFromis what type they wereIntois what type the becameKind, is what type of thing they were transferred intoAgentis who brought about this change,Causeis reason for the change,
See Commentary #8 Causes of Metamorphosis for more information about causes.
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| Order | Subject | From | Into | Kind | Agent | Cause | Note | Book | Loc. |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Chaos | shapeless mass | ordered world | Cosmos | the creator | Creation | The poem's own first metamorphosis: the proem promises to run from the first creation. | 1 | 21–75 |
| 2 | humankind | earth, or divine seed | men | Human | the son of Iapetus | Creation | Ovid gives two origins and commits to neither: the creator's seed, or fresh earth shaped by Prometheus. | 1 | 78–88 |
| 3 | Lycaön | king | wolf | Animal | Jupiter | Punishment | Some signs of old remain — the grey hair, the fierce eyes. The rule of Ovidian change: something is kept. | 1 | 232–39 |
| 4 | the stones | stones | men and women | Human | Deucalion and Pyrrha | Creation | On Themis' oracle. Men from the stones he threw, women from hers; the veins of rock kept their name. | 1 | 400–13 |
| 5 | the earth's seeds | mud | animals, and Python | Animal | the earth | Creation | The second creation, after the flood. Python is born of it against the earth's will. | 1 | 434–41 |
| 6 | Daphne | nymph | laurel | Plant | Peneus | Escape | At her own plea. Apollo takes the tree as his emblem, so the escape becomes the god's trophy. | 1 | 548–52 |
| 7 | Io | girl | cow | Animal | Jupiter | Concealment | Neither punishment nor rescue: Jupiter hides his own crime from Juno by changing its victim. | 1 | 610–12 |
| 8 | Syrinx | nymph | marsh reeds | Plant | the Naiads | Escape | Told by Mercury to put Argus to sleep, and cut off before he reaches the ending. | 1 | 702–06 |
| 9 | the reeds | marsh reeds | pan-pipe | Object | Pan | Grief | A second change in the same story: bound with wax and given the maiden's name. | 1 | 707–12 |
| 10 | Argus | a hundred eyes | the peacock's tail | Bird | Juno | Grief | Only the eyes change; the body stays dead on the rock. | 1 | 722–23 |
| 11 | Io | cow | girl | Human | Jupiter | Reversal | Restored by degrees — horns, hooves, jaw — until whiteness was her only bovine trait. | 1 | 738–43 |
| 12 | Io | girl | goddess | God | — | Reward | Worshipped by a linened throng: Isis, though Ovid never writes the name. | 1 | 747–49 |
| 13 | the Heliads | girls | poplars | Plant | — | Grief | Grief works the change itself; no god is named. Their mother tears the bark and draws blood. | 2 | 346–63 |
| 14 | the Heliads | tears | amber | Object | the sun | Grief | Hardened by sunlight and carried down the Eridanus, someday to tempt the wives of Rome. | 2 | 364–66 |
| 15 | Cygnus | king of Liguria | swan | Bird | — | Grief | For love of Phaëthon; the swan keeps to still water, mindful of Jove's bolt. | 2 | 373–81 |
| 16 | Jupiter | god | Diana's form | God | self | Disguise | He borrows the goddess's shape to rape her attendant; she will destroy Actaeon for seeing hers. | 2 | 425 |
| 17 | Callisto | nymph | bear | Animal | Juno | Punishment | Punished by Juno for what Jupiter did. Her former mind remained. | 2 | 477–85 |
| 18 | Callisto and Arcas | bear and hunter | constellations | Star | Jupiter | Reward | The Bears. Juno then has Ocean forbid them ever to set. | 2 | 505–07 |
| 19 | the Crow | girl | crow | Bird | Minerva | Escape | Told in flashback by the crow herself, fleeing Neptune along the shore. | 2 | 579–88 |
| 20 | Nyctimene | girl | owl | Bird | — | Punishment | Reported by the crow: made fowl for her foul sins, she shuns the light. | 2 | 589–95 |
| 21 | the Raven | white bird | black bird | Bird | Apollo | Punishment | A change of colour only, for telling a truth the god did not want told. | 2 | 631–32 |
| 22 | Ocyrhoë | girl | mare | Animal | — | Punishment | For prophesying too much. She names her own change as it takes her voice. | 2 | 665–75 |
| 23 | Battus | old man | stone | Stone | Mercury | Punishment | The touchstone, index: it still bears the informer's name. | 2 | 706–08 |
| 24 | Aglauros | girl | stone | Stone | Mercury | Punishment | Not white marble — her mind had stained the stone. | 2 | 820–32 |
| 25 | Jupiter | god | bull | Animal | self | Disguise | Cast off in the first line of Book 3. | 2 | 847–52 |
| 26 | Jupiter | bull | god | God | self | Reversal | The disguise of 2.850, shed before the book gives him a name. | 3 | 1–2 |
| 27 | the dragon's teeth | teeth | armed men | Human | Cadmus, at Minerva's bidding | Creation | Sown like seed. Five survive their own civil war to found Thebes. | 3 | 105–14 |
| 28 | Actaeon | hunter | stag | Animal | Diana | Punishment | Just his mind remained unchanged — he keeps it while his own hounds tear him apart. | 3 | 193–97 |
| 29 | Juno | goddess | Beroë, Semele's nurse | Human | self | Disguise | The one disguise in three books taken by a goddess, and taken to kill rather than to seduce. | 3 | 274–79 |
| 30 | Tiresias | man | woman | Sex | — | Retaliation | Seven years as a woman for striking two mating serpents with his staff. | 3 | 324–27 |
| 31 | Tiresias | woman | man | Sex | — | Reversal | He strikes the same snakes to undo it, and so becomes the one judge who has known both sides. | 3 | 328–31 |
| 32 | Echo | nymph | voice | Sound | — | Grief | Her body wastes to bone, her bones to stone, and only the voice is left. | 3 | 396–401 |
| 33 | Narcissus | boy | flower | Plant | — | Pity | No agent is named; the body is simply gone, the narcissus in its place. | 3 | 509–10 |
| 34 | Bacchus | god | drunk boy | Human | self | Disguise | Fair as a girl and seemingly heavy with wine — the sailors take him for plunder. | 3 | 607–10 |
| 35 | Bacchus | boy | god | God | self | Reversal | Grapes at his brow, a vine-wound spear, phantom tigers; the ship stops dead in the water. | 3 | 666–69 |
| 36 | Acoetes' crew | sailors | dolphins | Sea-creature | Bacchus | Punishment | Nineteen of twenty; Acoetes alone is spared, and tells it. | 3 | 671–86 |
Contextual Relations
Refers To
References Commentary
- #8 Causes of Metamorphosis in Ovid by Spencer Scorcelletti
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